Category: Uncategorized

  • Fort Lauderdale vs Toronto

    The Uber driver was a little annoyed when I showed up. It was still dark, I think, and still too goddamn early to be awake, especially on a Sunday, and especially on vacay in South Florida. The driver probably gets pricks like me showing up late all the time, but as someone facing the public,…

  • Always Fresh: How Tim Hortons Branding Made it Canada’s Unofficial Religion

    The post satirizes the Canadian obsession with Tim Hortons, likening the coffee chain to a national religion. The critique underscores how Branding and media elevates subpar products to sacred status, creating a cultural connection among Canadians that feels addictive.

  • Emily the Criminal: A Definitive Film that Captures America* (Take two!)

    “Emily the Criminal” (2022) powerfully reflects American struggles, highlighting stagnant wages, dehumanizing workplaces, and student debt crises. Starring Aubrey Plaza, the film showcases a strong female lead in a traditionally male role, symbolizing progress. With memorable scenes and critical acclaim, including praise from Obama, it resonates deeply with contemporary societal issues.

  • Emily the Criminal: A Definitive Film that Captures America*

    Why does a 2022 indie thriller deserve a spot on the cinematic Mount Rushmore alongside masterpieces like Taxi Driver and Dog Day Afternoon? In this sharp review, George Perry argues that Emily the Criminal is the definitive film for modern-day America. Starring an unforgettable Aubrey Plaza, the movie tracks the desperate, rebellious lengths a young…

  • Engage with Art: Reject ‘Consume’ Language

    This post argues against the use of the term “consume” when engaging with art, emphasizing that art nourishes and endures rather than vanishes like physical consumables. It critiques trendy language that shifts focus from appreciation to self-centeredness, urging individuals to appreciate art authentically and avoid jargon that distracts from genuine experiences. Let’s stop calling it…

  • Repo Man is the Definitive Movie about America*

    “Repo Man” is a satirical exploration of America, highlighting its chaos, consumerism, and counterculture against the Reagan-era backdrop. Through a punk repossession agent’s journey for a symbolic ’64 Chevy Malibu, the film critiques materialism while celebrating individuality and the hope for something extraordinary, reflecting the complexities of the American experience.

  • Toronto Hotels Empty During World Cup

    Toronto’s hotel market during the World Cup is seeing an unexpected high vacancy rate, with around 53% of rooms unbooked. Factors contributing to this surplus include the release of reserved FIFA rooms, increased hotel pricing, and strategic travel decisions by fans. As demand decreases, hotel rates are starting to drop, benefiting travelers.

  • RE: ‘We Used to Be the Belle of the Ball’: The New Isolation of the Israeli Cultural Scene

    The response to a NY Times article highlights the impact of “cancelling” Israeli artists, suggesting it deprives the world of critical perspectives on the Netanyahu government. The author argues that, like the “Elbows Up” movement in Canada, such actions may worsen situations rather than help and emphasizes the importance of freedom of speech.

  • Excerpt from my upcoming Fort Lauderdale USA trip report!

    After attending an alligator show, the author visits a gift shop, where a series of fishing hooks sparks memories of fishing trips with their late father. This experience feels like a spiritual connection, reinforcing the bond with his dad, who was affectionately known as “Mister Fish.” The encounter blends nostalgia with a sense of guidance.

  • Jello Biafra: One of the 30 Greatest Living American Songwriters

    The article argues that Jello Biafra is undervalued as a songwriter, highlighting his sharp political lyrics, satire, and lasting cultural relevance. It suggests his work transcends punk, blending humor and critique in ways that influence generations, deserving broader recognition beyond his reputation as a provocative frontman.