Perry's Pen
A showcase for George Perry's writing
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recent posts
- A Blues Cover of the Velvet Underground’s White Light/White Heat? Hell Yeah!
- Next Stop, Fantasy Island: NYC Mayor Mamdani’s $882 Million Six-Minute Commute
- Emily the Criminal: A Definitive Film that Captures America* (Take two!)
- Emily the Criminal: A Definitive Film that Captures America*
- Engage with Art: Reject ‘Consume’ Language
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“Emily the Criminal” (2022) powerfully reflects American struggles, highlighting stagnant wages, dehumanizing workplaces, and student debt crises. Starring Aubrey Plaza, the film showcases a strong female lead in a traditionally male role, symbolizing progress. With memorable scenes and critical acclaim, including praise from Obama, it resonates deeply with contemporary societal issues.
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Why does a 2022 indie thriller deserve a spot on the cinematic Mount Rushmore alongside masterpieces like Taxi Driver and Dog Day Afternoon? In this sharp review, George Perry argues that Emily the Criminal is the definitive film for modern-day America. Starring an unforgettable Aubrey Plaza, the movie tracks the desperate, rebellious lengths a young…
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This post argues against the use of the term “consume” when engaging with art, emphasizing that art nourishes and endures rather than vanishes like physical consumables. It critiques trendy language that shifts focus from appreciation to self-centeredness, urging individuals to appreciate art authentically and avoid jargon that distracts from genuine experiences. Let’s stop calling it…
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“Repo Man” is a satirical exploration of America, highlighting its chaos, consumerism, and counterculture against the Reagan-era backdrop. Through a punk repossession agent’s journey for a symbolic ’64 Chevy Malibu, the film critiques materialism while celebrating individuality and the hope for something extraordinary, reflecting the complexities of the American experience.
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Toronto’s hotel market during the World Cup is seeing an unexpected high vacancy rate, with around 53% of rooms unbooked. Factors contributing to this surplus include the release of reserved FIFA rooms, increased hotel pricing, and strategic travel decisions by fans. As demand decreases, hotel rates are starting to drop, benefiting travelers.
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The response to a NY Times article highlights the impact of “cancelling” Israeli artists, suggesting it deprives the world of critical perspectives on the Netanyahu government. The author argues that, like the “Elbows Up” movement in Canada, such actions may worsen situations rather than help and emphasizes the importance of freedom of speech.
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After attending an alligator show, the author visits a gift shop, where a series of fishing hooks sparks memories of fishing trips with their late father. This experience feels like a spiritual connection, reinforcing the bond with his dad, who was affectionately known as “Mister Fish.” The encounter blends nostalgia with a sense of guidance.
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The article argues that Jello Biafra is undervalued as a songwriter, highlighting his sharp political lyrics, satire, and lasting cultural relevance. It suggests his work transcends punk, blending humor and critique in ways that influence generations, deserving broader recognition beyond his reputation as a provocative frontman.
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My friend sent me an AI version of Keef Richards singing “Up to Lexington, 125″, the famous line from the Lou Reed-penned song “Waiting for My Man” So why not tell my real life story of hanging out at Lexington, 125? My cousin and I hung out at Lexington/125 one time. It’s more Detroit than…
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The narrator expresses gratitude for their outdated heating system amidst personal struggles. They reflect on societal absurdities surrounding modern heating solutions and lament their deteriorating health. An annoying bush outside the window symbolizes frustration with life’s disappointments. Despite the bleakness, they find a glimmer of hope in discovering a park named after Jaco Pastorius, acknowledging…