Perry's Pen
A showcase for George Perry's writing
Category: Uncategorized
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There is no excerpt because this is a protected post.
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Gemini said In this article, George Perry addresses modern anxieties like inflation and global conflict by revisiting 1980s protest music. He explores how artists like Spandau Ballet, Tears for Fears, and Dead Kennedys used music to process “doomsday gloom,” suggesting that dancing and shouting remain powerful tools for coping with today’s world.
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The post is inspired by Salvador Dali and describes surreal experiences, such as a spine turning into a gummi snake and a park bench melting like tissue paper. It depicts forgetting to pick up kids from school and surreal imagery like daisy rings singing and attorneys in religious rock-climbing gear.
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The author had a memorable New Year’s weekend in Detroit, revisiting familiar spots and exploring new attractions. They enjoyed the city’s renaissance, interacted with public art, and reflected on the significance of historical monuments like the Gateway to Freedom. The visit to the Detroit River brought back nostalgic memories, making the trip a meaningful experience.
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Dick Valentine, frontman for Electric Six, offers a unique take on Tracy Chapman’s iconic song “Fast Car.” Both versions deliver heartfelt intensity and transport listeners, contributing to their widespread acclaim. Valentine’s authentic rendition brings new appreciation to Chapman’s timeless blues hit. Additionally, his cover reflects on the significance of the original song and its enduring…
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A visual tour of the patios and street art in Toronto’s Gerrard India Bazaar. It’s a wonderful destination, make plans to visit.
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On the morning of my second vaccine shot, I listened to The Jam and embarked on a train ride downtown. Russell Jacques’s sculpture caught my eye, and Cat Stevens provided the soundtrack. Masks made joke-telling difficult, but the city’s urban oasis at Yonge and King brought hope for a return to normalcy.
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Ben Bagdikian’s concept of media monopoly highlights that fewer ownership players in media lead to diminished choices and voices. The impending $20.4 billion Rogers-Shaw merger raises concerns over consumer rights, as taxpayer money underpins infrastructure utilized by Rogers, which refers to customers as mere consumers, disregarding their partnership role in business.

